Realism (arts)

history

.]] Realism in the visual arts and literature refers to the general attempt to depict subjects "in accordance with secular empirical rules," in so far as such subjects are "explicable in terms of natural causation without resort to supernatural or divine intervention" Morris, 2003, [http://books.google.com/books?id=MFAW6dh24ZwC&printsec=frontcover&dq=realism&ei=ROOkS_LBA5TszASD95nXCA&cd=2#v=onepage&q=&f=false p. 5] as they are considered to exist in third person objective reality, without embellishment or interpretation. As such, the approach inherently implies a belief that such reality is ontologically independent of man's conceptual schemes, linguistic practices and beliefs, and thus can be known (or knowable) to the artist, who can in turn represent this 'reality' faithfully.

Realism often refers more specifically to the artistic movement, which began in France in the 1850s. These realists positioned themselves against romanticism, a genre dominating French literature and artwork in the late 18th and early 19th centuries. Purporting to be undistorted by personal bias, Realism believed in the ideology of objective reality and revolted against the exaggerated emotionalism of the romantic movement. Truth and accuracy became the goals of many Realists. Many paintings which sprung up during the time of realism depicted people at their jobs, as during the 19th century there were many open work places due to the Industrial Revolution and Commercial Revolutions. The popularity of such 'realistic' works grew with the introduction of photography — a new visual source that created a desire for people to produce representations which look “objectively real.”

The term is also used to refer to works of art which, in revealing a truth, may emphasize the ugly or sordid, such as works of social realism, regionalism or Kitchen sink realism.

Visual arts

In general, realists render everyday characters, situations, dilemmas, and objects, all in a "true-to-life" manner. Realists tend to discard theatrical drama, lofty subjects and classical forms of art in favor of commonplace themes. The term is applied to, or used as a name for, various art movements or other groups of artists in art history.

Theatre

The achievement of realism in theatre was to direct attention to the physical and philosophic problems of ordinary existence, both socially and psychologically. In plays of this mode people emerge as victims of forces larger than themselves, as individuals confronted with a rapidly accelerating world.Simard, Rodney. Postmodern Drama: Contemporary Playwrights in America and Britain. New York: UP of America, 1984. These pioneering playwrights were unafraid to present their characters as ordinary, impotent, and unable to arrive at answers to their predicaments. This type of art represents what we see with our human eyes.

Cinema

Italian neorealism was a cinematic movement incorporating elements of realism that developed in post-WWII Italy. Notable Neorealists included Vittorio De Sica, Luchino Visconti, and Roberto Rossellini.

Gallery

Image:Gustave Courbet 018.jpg|Gustave Courbet, Stone-Breakers, 1849. Image:Wilhelm Oswald Gustav Achenbach, Abendstimmung in der Campagna.jpg|Wilhelm Oswald Gustav Achenbach, Abendstimmung in der Campagna, 1850. Image:Sargent MadameX.jpeg|John Singer Sargent, Madame X (Madame Pierre Gautreau), 1884. Image:Eilif Peterssen-Laksefiskeren (1889).jpg|Eilif Peterssen, The salmon fisher, 1889. Image:They did not Expect Him.jpg|Ilya Repin, They did not Expect Him, 1884-1888. Image:Letna stalin sousosi.jpg|Otakar Švec, Josif Stalin's memorial in Prague, 1955-1962.

See also

References

External links


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